Ray Gun Virus
Paul Sharits,
1966,
14’
Ray Gun Virus, one of the earliest "flicker" films, is a rapid succession of colored, clear, and black film frames. To make the work, Sharits filmed monochrome sheets of colored paper and then edited the footage into precisely syncopated visual rhythms. The soundtrack consists solely of the amplified sound of the film as it passes through the projector. "The projector is an audio-visual pistol," Sharits wrote of Ray Gun Virus. "The retinal screen is a target. Goal: the temporary assassination of the viewer’s normative consciousness." (MoMA)
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